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Timeless Twaddle

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Art is in the eye of the beholder and the passion thereof time and limitless. The same can be said about Brad Twaddle’s immeasurable energy and passion for Dancing and the Arts.

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NOTES FROM THE WORKING CLASS: SPARE ME

The royals are fun, engaging and great fodder for gossip, but spare me. We fought a war to get rid of them. The Declaration of Independence in July, 1776 listed twenty-seven grievances against George III. Among his offenses it was noted, “He has plundered our seas, ravaged our coasts, burnt our towns, and destroyed the lives of our people."


Discussion Guide Planned for Yonkers Trilogy

A Discussion Guide is in development to address the controversial issues in Patricia Vaccarino’s Yonkers Trilogy. Titled Yonkers Beats, this Discussion Guide is intended for use by teachers, book clubs—or anyone who wants—to examine controversial topics that engender difficult conversations. 


So Not Yonkers is the third book in the Yonkers trilogy

So Not Yonkers by Patricia Vaccarino has been released. Ms. Vaccarino’s controversial coming-of-age novels take us on a dark journey encountering racism, sexual harassment, abortion, child abuse, homophobia, mental illness, organized crime, violence, death, lost love and lost friendship among the working class and poor in Yonkers. So Not Yonkers is the third book in her Yonkers trilogy.


Book Review: O Pioneers! by Willa Cather

O Pioneers!, the first book in Willa Cather’s Great Plains Trilogy, unfolds along the crags and ridges of  rough terrain that is harsh to all those who dwell here. Set in the still uncultivated Nebraska Prairie, the story is told through the lens of young Swedish-American woman Alexandra Bergson who has an uncanny head for business and an even stronger knack for spotting fertile land.


Plagiarism and Ghostwriting Behind “Shakespeare’s” Passionate Pilgrim (1599)

All modern poets are likely to have been inspired to write poetry by reading “Shakespeare’s” verse. If such poets have been following news about “Shakespearean” attribution, they should have a few questions that cloud this inspiration. Were these “greatest” poems of all time (given the 4 billion “Shakespeare” books in circulation) actually written by an actor without a formal education? Are the hushed arguments regarding plagiarism in Passionate Pilgrim indicating that the most beloved poet stole his work from others? The linguistic, structural, biographical and other types of analysis in my British Renaissance Re-Attribution and Modernization series (BRRAM) answers these questions correctly with a purely fact-based approach for the first time.